вЂњMoreвЂќ itself is an exploratory album, as Pink Floyd forays into all kinds of genres with varying levels of success. Both the film and the album have been largely forgotten by time, but the latter does have some parts worth exploring. Pink FloydвЂ™s first record without any contributions from Barrett also serves as the soundtrack to a film of the same name. But theyвЂ™re not enough to save вЂњUmmagummaвЂќ from earning the bottom spot on this list. ItвЂ™s actually quite good, and the versions of вЂњCareful with That Axe, EugeneвЂќ and вЂњA Saucerful of SecretsвЂќ especially are improvements on their studio counterparts. ItвЂ™s almost as if Pink Floyd knew they needed something to counteract the studio failures of вЂњUmmagumma,вЂќ as the record also comes packaged with a second disc, which features live renditions of old favorites. If anything, вЂњUmmagummaвЂќ proved that Pink Floyd was best off when working as a unit. The only salvageable numbers are WatersвЂ™ pleasant acoustic ballad вЂњGrantchester MeadowsвЂќ and GilmourвЂ™s brooding three-part suite вЂњThe Narrow Way.вЂќ Even then, they donвЂ™t quite stack up with the timeless pieces that Pink Floyd would soon unleash. Not good at all, and quite frankly, WrightвЂ™s and MasonвЂ™s contributions arenвЂ™t much better. Nothing encapsulates this sentiment better than WatersвЂ™ ridiculous вЂњSeveral Species of Small Furry Animals Gathered Together in a Cave and Grooving with a Pict,вЂќ which is, quite literally, five minutes of Waters making animal noises and spouting off nonsense in a hokey Scottish accent. They didnвЂ™t find it on вЂњUmmagumma,вЂќ a wildly experimental record that too often drifts into nonsense for its own good.ДЇor вЂњUmmagumma,вЂќ the four remaining band members decided to write and record the tracks separately, and the end results are quite a mess. The departure of Barrett in 1968 sent Pink Floyd searching for the new sound that would redefine their career. In this article, we place all 15 entries of Pink FloydвЂ™s studio record output under the microscope and rank them from worst to best. Although the quartet of bassist Roger Waters, guitarist David Gilmour, keyboardist Rick Wright and drummer Nick Mason made some incredible music during their time together, some of their works donвЂ™t hold up as well as others. That said, not everything they touched turned to gold. Very few can say that theyвЂ™ve had a discography as thoroughly enjoyable and as impactful as Pink Floyd. ItвЂ™s clear to see why, as monumental records like вЂњThe Dark Side of the MoonвЂќ and вЂњThe WallвЂќ have stood the test of time while also providing the blueprint for some of musicвЂ™s greatest accomplishments. Starting life as a psychedelic outfit under the leadership of Syd Barrett, Pink Floyd eventually grew into progressive rock legends that many revere as one of the greatest and most influential artists of all time. The Piper at the Gates of Dawn successfully captures both sides of psychedelic experimentation - the pleasures of expanding one's mind and perception, and an underlying threat of mental disorder and even lunacy this duality makes Piper all the more compelling in light of Barrett's subsequent breakdown, and ranks it as one of the best psychedelic albums of all time.Pink Floyd Albums Ranked from Worst to BestД¬hances are that youвЂ™ve heard of the name Pink Floyd.

But even though Barrett's lyrics and melodies are mostly playful and humorous, the band's music doesn't always bear out those sentiments - in addition to Rick Wright's eerie organ work, dissonance, chromaticism, weird noises, and vocal sound effects are all employed at various instances, giving the impression of chaos and confusion lurking beneath the bright surface. Barrett's catchy, melodic acid pop songs are balanced with longer, more experimental pieces showcasing the group's instrumental freak-outs, often using themes of space travel as metaphors for hallucinogenic experiences - 'Astronomy Domine' is a poppier number in this vein, but tracks like 'Interstellar Overdrive' are some of the earliest forays into what has been tagged space rock.

The title of Pink Floyd's debut album is taken from a chapter in Syd Barrett's favorite children's book, The Wind in the Willows, and the lyrical imagery of The Piper at the Gates of Dawn is indeed full of colorful, childlike, distinctly British whimsy, albeit filtered through the perceptive lens of LSD.

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